Skip to main content

Grateful Dead Live at Augusta Civic Center on 1984-10-12




Set 1

Feel Like A Stranger, It Must Have Been The Roses, On The Road Again, Jack A Roe, It's All Over Now, Cumberland Blues, The Music Never Stopped

Set 2

Cold Rain & Snow, Lost Sailor-> Saint Of Circumstance-> Don't Need Love-> Uncle John's Band-> Drums-> Playin' Reprise-> Uncle John's Band-> Morning Dew, E: Good Lovin'

Final / last "On The Road Again"


Collection GratefulDead
Band/Artist Grateful Dead
Venue Augusta Civic Center
Location Augusta, ME

Source Nakamichi CM-100 mics with CP-4 shotgun caps to a Sony D-5 stereo cassette recorder;
Lineage Master Cassette >> Nakamichi DR-1 >> Korg MR-1000 at 1bit/5.6mHZ DSD Korg AudioGate Software for DSD to PCM WAV conversion at 24bit/44.1kHz on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 Meta-Data with Tag&ReName
Taped by Greg Holtz
Transferred by Jamie Waddell

Reviews

Reviewer: Neddy Seagoon - - October 12, 2011
Subject: Feel Like a Shakedown
Ahhh.. One of my favorite shows, along with the night before, 10-11-84. The opener of Feel like a Stranger is IMHO one of the best ever. Jerry was having a lot of fun with this one. If you listen carefully at the beginning, you will hear some friendly banter between Weir and Garcia - After the line "... So let's get on with the show..." Bob calls out to Jerry, "How about now?" to which Jerry replies, "Let's Go!" If it weren't for the words, you might think this was Shakedown Street from the previous night. Thanks to the tapers once again! Cheers
Reviewer: bornindasixties - - September 2, 2010
Subject: Great recording, kudos!
listened to bits and pieces of the others, I wanted a better version of this Dew, I wish I had this one before!!! Sweet.
Reviewer: rockitman - - February 13, 2010
Subject: Thanks !
I'm glad you put this up. This version is now the ref audience recording. The show is epic of course.
Reviewer: sceezo - - February 2, 2010
Subject: Indian Summer
This is a great sounding recording of a great show. Invariably those who were there will list this as a top 10, and probably top 5 favorite. Although the setlist doesn't exactly jump out at you, consider this: this was the only "jack a roe" the dead played during a three year stretch, it was the only "on the road again" they played in all of '84, it was the only music and the only dew played on the east coast tour that fall; also it was the first time ever that the dead played a "playin reprise" without a "playin" preceding it. And last but not least, the encore was one of just three times that the dead played good lovin as an encore during the 80s. There was something special in the air, and after the beautiful indian summer day that found its way to northern maine that autumn afternoon, the show was a perfect ending to a perfect day.
The quality, again, of this recording is exceptional - there was a copy making its way around for years of good quality but with a strange buzzing throughout the first half of the second set - that does not appear on this version, and for an audience recording each instrument is clearly heard - kudos to the taper! And many thanks!
sceezo
Reviewer: Sco-Bro - - November 2, 2009
Subject: Like a Gym
These shows had such a private
&personal feel.I remember it like a Gym with wooden floors lotsa room and close to home.Heads descended on the town freaking everyone out! Stayed at the HoJos throwin fire crackers at the business men walkin by.We had to usually travel to see em so this was a treat.It was harvest time so I had this huge bud off the top the size of my forearm flashing it to other heads on the Maine turnpike and eatin local shrooms. Great list both nights."Roses" was sweet and Jerry had to work for it at this small venue. They couldn't really blast you they had to do some almost acoustic playin. Peggy O grabbed my attention the 1st night..Great to hear this show and go back! Sounds great to me compared to some of the tapes I had kickin around my car at the time.I would have gone straight for this one!
Reviewer: ckorchinski - - November 2, 2009
Subject: Naks
Don't knock the Naks! I'd argue that the mic's DO matter, and that the Nak 100s (or 300s for that matter), DO sound great...particularly in larger-sized venues when the shotgun caps can do their thing. Having used both Schoeps of all sorts (solid state and tubes) and Naks over the years, the Nak 100s+cp4 will get you 90% of the way to the performance of Schoeps cmc641's (the hyper cards), at less than 1/10th of the price (schoeps mk4 cardiods vs. the nak CP1 cards isn't as close in small venues, but the naks still hold their own). Yes, the Schoeps are better, but the Naks have made many an enjoyable recording...and THAT's what it's all about!

this is such an example. enjoy!
Reviewer: Dr.Unclear - - October 14, 2009
Subject: 5 big stars!
I give out a lot of 5 stars, mainly because I don't bother reviewing crappy sounding sources. IMO, this is (as of now) _THE_ aud source for this show. Sounds better than the Rolfe source, imo. Beautiful, sweet-spot recording! Just goes to show the mics used mean little - it's all about the mic's location!
DOWNLOAD OPTIONS
In Collection
Grateful Dead
In Collection
Live Music Archive
Uploaded by
Matthew Vernon
on 10/13/2009
Views
3,149
Favorites
4
Reviews
7
PEOPLE ALSO FOUND
Grateful Dead
by Grateful Dead
665
0
0
Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
Grateful Dead
by Grateful Dead
17
0
0
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
Grateful Dead
by Grateful Dead
514
0
0
Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo
Grateful Dead
by Grateful Dead
1,897
0
2
( 2 reviews )
Source: Nakamichi CM 100's with CP-4 shotguns -> D-5
Grateful Dead
by Grateful Dead
596
0
0
Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Grateful Dead
by Grateful Dead
1,233
0
1
( 1 reviews )
Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
Grateful Dead
by Grateful Dead
542
0
0
Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
282
0
0
Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
1,166
0
0
Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII)
Grateful Dead
by Grateful Dead
445
0
0
Source: Master Audience Recorded By Mr. Darby And First Generation Tape For Set 2; Set 1:SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Set 2:2 Nakamichi CM300/CP4 Shotguns And 1 Nakamichi CM300/CP1 (DFC Row 2 Balcony/3.5 Feet High)>Sony Mixer>Sony TC-D5M Sony TC-D5M>Sony TC-D5M,Tape Maxell XLII-S (Set 2 Master Tape Destroyed); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software